It is March 21, 2023, hours before the Annual Purge. While television programs credit the Purge for record low unemployment and poverty levels, people across the country are preparing either to commit acts of violence or to barricade themselves indoors against the mayhem. Meanwhile, an anti-Purge resistance group intermittently hacks into television programs to broadcast their own messages that challenge the system. In Los Angeles, Eva Sanchez, a waitress, rushes home to her daughter Cali and her terminally ill father Papa Rico. As they prepare to lock down for the evening, her father slips out of the apartment and into a waiting limo. He leaves behind a note explaining that he sold himself to a wealthy family as a Purge offering in exchange for $100,000 which will be transferred to Eva's and Cali's bank accounts following the Purge.
A couple named Shane and Liz are driving to the house of Shane's sister to wait out the Purge. They stop at a market but when they return to their car, Shane is startled by a man with white facepaint, whose gang silently taunts them. They quickly drive away, but their car dies just as the Purge begins. They discover that their fuel line was cut, and that the gang had tampered with the car. The aforementioned gang then shows up, forcing Shane and Liz to flee on foot. At the same time, police sergeant Leo Barnes goes out into the streets to get revenge on the man who killed his son while driving under the influence of alcohol twelve months ago. Leo is skilled in combat and is heavily armed.
Here is how I see it. The second installment (to what promises to be a yearly occurrence) of the Purge was a lot better than the first. But it isn't because The Purge: Anarchy is a significant film. It's because Writer/Director James DeMonaco is finally able to incorporate the underlying theme of class hierarchy that was completely misguided in its predecessor.
The big mistake with the first film was making it a trite home invasion thriller. With Anarchy, we explore the outside world during the 6th annual Purge, and it proves, without a doubt, to be ten times more thrilling and suspenseful. We see the nut cases in freaky masks (one with GOD written on it) wielding their weapons of choice. We see the upper class citizens holding each others hands reciting the "New Founding Fathers" motto that feels like some satanic cult. In our seats, we feel that we have to look around all at times, because there could be a killer ahead or behind us.
There are three revolving stories of people who are entering the night. One is Eva and Cali, a waitress and her daughter. There is Shane and Liz, a crumbling couple with no killer instincts at all. And then there is Leo, the sergeant, the "kick ass and take names" guy. Leo is out to revenge Purge. The others find themselves wandering the street. Leo winds up having to protect them. Will his generosity effect his main goal? Can Leo really save everyone? Frank Gillo makes for a very convincing and likable hero. While we watch and the story unfolds, we learn that The Purge, and its purgers, aren't so much anarchic as they are regulated.
With it's unique premise the Purge is always able to separate itself from the average horror/thriller film. Most importantly, Anarchy is a step up because it realizes its potential to be truly scary from the realism of its "legal murder" concept; rather than just bludgeoning people left and right. Unlike the first film, your instinctive fascination with such a nightmare concept will multiply here, not diminish or turn into a laughing stock.
A couple named Shane and Liz are driving to the house of Shane's sister to wait out the Purge. They stop at a market but when they return to their car, Shane is startled by a man with white facepaint, whose gang silently taunts them. They quickly drive away, but their car dies just as the Purge begins. They discover that their fuel line was cut, and that the gang had tampered with the car. The aforementioned gang then shows up, forcing Shane and Liz to flee on foot. At the same time, police sergeant Leo Barnes goes out into the streets to get revenge on the man who killed his son while driving under the influence of alcohol twelve months ago. Leo is skilled in combat and is heavily armed.
Here is how I see it. The second installment (to what promises to be a yearly occurrence) of the Purge was a lot better than the first. But it isn't because The Purge: Anarchy is a significant film. It's because Writer/Director James DeMonaco is finally able to incorporate the underlying theme of class hierarchy that was completely misguided in its predecessor.
The big mistake with the first film was making it a trite home invasion thriller. With Anarchy, we explore the outside world during the 6th annual Purge, and it proves, without a doubt, to be ten times more thrilling and suspenseful. We see the nut cases in freaky masks (one with GOD written on it) wielding their weapons of choice. We see the upper class citizens holding each others hands reciting the "New Founding Fathers" motto that feels like some satanic cult. In our seats, we feel that we have to look around all at times, because there could be a killer ahead or behind us.
There are three revolving stories of people who are entering the night. One is Eva and Cali, a waitress and her daughter. There is Shane and Liz, a crumbling couple with no killer instincts at all. And then there is Leo, the sergeant, the "kick ass and take names" guy. Leo is out to revenge Purge. The others find themselves wandering the street. Leo winds up having to protect them. Will his generosity effect his main goal? Can Leo really save everyone? Frank Gillo makes for a very convincing and likable hero. While we watch and the story unfolds, we learn that The Purge, and its purgers, aren't so much anarchic as they are regulated.
With it's unique premise the Purge is always able to separate itself from the average horror/thriller film. Most importantly, Anarchy is a step up because it realizes its potential to be truly scary from the realism of its "legal murder" concept; rather than just bludgeoning people left and right. Unlike the first film, your instinctive fascination with such a nightmare concept will multiply here, not diminish or turn into a laughing stock.